13: ‘Day of the Daleks’
Events from Apr 71 to Apr 72
Operators
John Scott Martin
Ricky Newby
Murphy Grumbar
Voices
Oliver Gilbert
Peter Messaline
New Doctor Jon Pertwee 
Script editor Terrance Dicks
The Return of the Daleks
Four years had passed since the Daleks had last appeared in Doctor Who and the series had changed dramatically. The series had a new lead actor; Jon Pertwee, along with a new companion and a new family of supporting cast to assist the Doctor during Earth exile - a concept devised as part of a revamped format. The show was now made and broadcast in colour and a new producer was at the helm. Old monsters such as Daleks and Cybermen had been deemed Persona non grata as producer Barry Letts and script editor Terrence Dicks looked to make their own mark on the show.
The exclusion of old enemies would be addressed however when an inquiry in the spring of 1971 by BBC Managing Director Huw Wheldon lead Letts and Dicks to consider the return of the Daleks. Letts had previously been reluctant to include the old foes but was persuaded to meet their creator Terry Nation, and whilst Nation himself was too busy to write the scripts he was willing for another author to write for his creations so long as he had approval, and permission was given on 22nd April .
Letts and Dicks first approached Robert Sloman to devise the proposed Dalek story as a climax to the upcoming Season Nine, and a storyline entitled The Daleks in London was produced. However Letts and Dicks became worried that the opening of the season needed something bigger to hook viewers, and so the Daleks were brought forward to be included in a Louis Marks' story about time-traveling guerrillas which was already well in advance having been commissioned in January of 1971. This story eventually became Day of the Daleks.
Daleks about to be sprayed for Day of the Daleks
Photo - James Russell 
Daleks about to be sprayed for Day of the Daleks
Photo - James Russell
Daleks in Colour. On the Small Screen!
The director appointed to the serial was Paul Bernard, and the scripts required him to depict a Dalek army for the story’s big climax.
Around the time that contracts were issued to the human actors in mid-August and early September 1971, the availability of the show's real stars was being investigated - the Daleks.
After a clear out of BBC storage some time earlier, the thin Dalek Eight had been junked along with the top of Dalek Two - however this top was rescued from destruction by Bernard Wilkie, along with the thin skirt. The thin shoulders of Dalek Eight only fitted the thin skirt, and so would have been of no future use.
The remaining props which were therefore brought from storage were: The original Dalek One, the stunt-prop built for The Chase with its movie-type characteristics which was Dalek Seven (now fitted with a TV neck), a composite made up of one skirts and the alternate top half built for The Dalek Invasion of Earthtermed Dalek Six-5, and lastly the lone skirt of Dalek Two - left orphaned without a matching top half.
The props at this time were still in their silver and blue livery as seen in Evil of the Daleks. In early September of 1971 the props were given some heavy refurbishment for the forthcoming TV appearance. All three necks were given new mesh of a coarser style and the cages were replaced. These retained the Shawcraft style of 'clover' rods but these were of a smaller diameter, therefore overall the rods appeared thinner. The eye mechanisms were adjusted, including new eyestalks and eyeballs (that now had a pupil as standard), which had the unfortunate effect of leaving visible screws around the pivot hole. The lights were changed again, this time to car side-lights very often seen on the "Mini" car of the time and the shoulders of all three Daleks were tidied with new mesh which was also of a coarser type than previously used. Dalek One also had some internal work carried out on its shoulders highlighted by two extra bolts which appeared either side of the oval between the boxes, which itself was new addition to all three props.
All four skirts surviving skirts had had their fenders enlarged, and metal plates were added around the edges to protect the easily damages wood. Bigger castors were also added, meaning the props stood slightly taller than previously. For their studio work, the excessive ground clearance would be hidden by thin black plastic film akin to the rubber movie style fenders.
During the refurbishment work, the halves became mixed, with Dalek One's shoulders paired with Dalek Five's skirt (becoming Dalek One-5 from here on). Dalek Seven's shoulders were paired with Dalek Two's skirt (becoming Dalek Seven-2) and Dalek Six's shoulders were paired with Dalek Seven's skirt (becoming Dalek Six-7). The skirt of Dalek One now became orphaned.
Dalek Seven-2 was given a new gold and black livery and acted as the lead Dalek, whilst the other two Daleks were painted in a dark metallic grey and black.
Daleks on location at Bull's Bridge 
Dalek One's skirt's last appearance
On location and a Sad Demise
Location filming began on 14th September 1971 at Dropmore Park in Burnham which was acting as Auderly House. The climatic battle scenes were filmed here supposedly featuring an army of Daleks attacking the peace conference taking place in the House. However as only three props were assembled the army looked a little thin on the ground, which was not helped by the director repeatedly using shots of all three Daleks, giving the impression that there were many gold leaders flanked by just two subordinates.
When shooting moved to Bull's Bridge two days later, the props had to run on boards placed over the uneven surface, and the lack of the black plastic on the fender would have aided ground clearance. The filmed shots mainly show them from the lower skirt upwards, but there is at least one instance of a full shot showing the uncovered fender.
Filming moved to Harvey House, Green Dragon Lane in Brentford where the attack on the Daleks’ headquarters took place. These scenes firstly utilised Dalek Six-7 attacking the guerrillas and then a shot was required featuring a destroyed Dalek.
Rather than create an FX prop from scratch, it was deemed easier to use the surplus fourth skirt, and thus the TV career of Dalek One's orphaned skirt was brought to an undignified end for the sake of a one-second shot. Large sections of the fibreglass were broken open, such as on the panel at the front, and at the rear left corner the top section was fractured and the loose section was then hinged over to dangle down. Various hemispheres were removed, and some of the holes in the sides were widened so that smoke could blow through them.
It was a sad fate for one of the original four Dalek components, which had survived a decade's use, appeared in approximately 40 television episodes, and made numerous publicity appearances in support of the programme.
The three Daleks in studio 
Dalek Seven-2 invades the Blue Peter Studio 
Daleks at Ealing Studios 
Pertwee and Letts at the London Planetarium 
Dalek Seven-2 and Dalek One-5 looking battered
In Studio and a Sneak Peek
In studio work, beginning on 4th October, the Daleks were used sparingly and even when on screen were very static. Two new voice artistes were employed and gave the Daleks a very dull and monotone speech pattern. Bernard had disliked the voices from the 1960’s and so voice modulation was done in studio rather than using the Radiophonic Workshop. Overall the whole impression the Daleks gave was very different to the agitated and angry Daleks of the sixties tales.
Just six days after filming was completed in October 1971, viewers were treated to a surprise appearance of the new look props prior to transmission of the serial the following January. On October 25th Blue Peterincluded a brief promotion for Doctor Who and the three props appeared in studio. Viewers were encouraged to write in to increase the chance of the Daleks appearing in the upcoming season.
Dalek Six-7 was already sporting a damaged gun and missing eye disc which can be seen half broken in the location footage and Dalek Seven-2 already had two different styles lights indicating one had been damaged since filming finished.
While filming The Curse of Peladon at Ealing in December, Jon Pertwee took time out for a photo call featuring two Ogrons and two Daleks. These pictures featured Dalek Seven-2 and Dalek One-5 and would be used for publicity.
A few days later, on 21st December, Dalek Seven-2 appeared at a photo call at the London Planetarium. Former companion Peter Purves interviewed Pertwee and Letts as part of the Planetarium’s ‘Young Observers’ lectures.
In the days since the Ealing photo call the plastic film, running round the fender of the prop, had in the main been ripped away leaving some small areas with torn plastic hanging limply from it. Several hemispheres were also chipped revealing the original blue colour.
On 31st December, Jon Pertwee again took part in a publicity photo call with Dalek Seven-2 and Dalek One-5 outside BBC Television Centre. The gold Dalek Seven-2 was in its same ‘Planetarium’ condition but Dalek One-5 was heavily damaged with nearly all its eye discs either broken or missing, slats were missing from the shoulders and the whole casing was generally chipped and scratched.
In the space of just ten days the condition of the props had seriously deteriorated, more than likely due to mishandling on their trips around the country. It was a continual problem for them but their own popularity meant that people all over the country wished to see them, meaning damage would happen on a regular basis.
Dalek Seven-2 on display at the Ceylon Tea Centre
Photo - James Russell
Tea Time
The Radio Times promoted the return of the monsters with a "Win a Dalek" competition during the transmission of the serial (beginning on 1st January, 1972) with the winners receiving a “Mark 7” remote controlled Dalek.
There was also an exhibition of the winning entries at the Ceylon Tea Centre in Regents Street, London in the last week of March and first week of April. The gold Dalek Seven-2 was placed in the window of the centre for the duration of the display and was sporting some new castor covering tidying up its appearance somewhat.
1973 would see the tenth anniversary of Doctor Who and what better way to celebrate than to bring back the Daleks, and written for by their original creator, Terry Nation.
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